SOUND: Foley recording

I’ve just completed all the foley recording this week. WOOHOO! Finally that ugly-ass box in the middle of my apartment can come down.

I’ve been editing sound as I go, plus scoring the music. The film’s score will be largely percussive — and not just because I like hitting things — but I’ve always felt that the snowball-themed plot, of a bad idea getting worse, would really be much more intense by using a progressively-louder percussion score.

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